What many “big box” and “chain store” framers call their “proven method” of mounting artwork is actually a procedure developed decades ago to mount processed photographs, lithographs, posters and other types of images popular at the time. This old-technology and the dry mounting materials used were once acceptable, but the heat and mounting time required in this old process can cause serious problems to contemporary images. Even if no damage is immediately apparent, the acid exposure, higher heat and longer mounting time of old mounting methods can alter the ink chemistry enough to create or accelerate color shift, bubbling and/or fading over time – potentially damaging your artwork.
Serigraphs, lithographs, monoprints and fine art are commonly mounted using a hinged tape method that dries out over time and can release the artwork from its original position. To prevent this from happing today, SF framing now uses an acid free four corner mounting method that secures the artwork for a lifetime.
Recognizing new digital imaging technologies have been rapidly replacing older-technology image types, SF Framing now mounts all digital prints, inkjet, giclee, laminated charts and maps, posters and prints using a new high tech dry mounting adhesive process called Gilman MountCor. This new permanent adhesive process protects virtually all modern art images using low temperatures and fast mounting times to ensure your art is mounted safely and cleanly using a pH neutral and particle free process.
When you choose to work with the professionals at SF Framing, you can be assured we only use high quality materials, modern equipment and state-of-the-art procedures to provide you with the very best mounting and framing experience available today.